The group (with ex–Chocolate Syrup singer L. J. Reynolds and Lenny Mayes replacing Howard and Wilkins in 1973) switched to the Cadet label in 1974 and then to ABC in 1975. With Reynolds and Banks opting for solo careers, the Dramatics ran out of steam, although they continued to enjoy intermittent success through the mid-1980s. Digital Underground Although distinctly a part of the hardcore RAP movement, the Digital Underground are notable for the depth of vision and comic sense they have brought to the genre. The strong influence of the P-Funk sound pervades their music, beginning with the debut LP, Sex Packets , which includes as its subtext a mad scientist’s scheme to market a drug causing wet dreams. The Oakland-based Digital Underground was formed in the mid-1980s by Shock-G (born Gregory E. Jacobs, vocals/keyboards) and Chopmaster J (samples programmer/percussion). The group was invited to contribute tracks to the film comedy, Nothing But Trouble , in which they also appeared.
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By the time the group members reached adulthood, their show business careers were effectively over. Lee” remains popular an oldies radio stations, and has been updated by a number of rock acts over the years. Bobbettes, The duties for “wall-of-sound” producer Phil Spector, but did not receive label credit for their best efforts. The group formed in 1954 while members Fanita James, Gloria Jones, and twins Annette and Nannette Williams were still enrolled in Fremont High School, Los Angeles.
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Ovations, The The Memphis-based Ovations achieved success melding a smooth soul sound reminiscent of SAM COOKE with the southern gospel harmonies that had informed their upbringing. Featuring Cooke sound-alike Louis Williams, the group first surfaced with “It’s Wonderful to Be in Love,” which reached number 22 on the R&B charts in 1965. They followed with a string of regional hits on the GOLDWAX label, including “Me and My Imagination.” The failure to achieve national success ultimately caused the Ovations to disband. However, Williams went on to form a new edition of the group, recruiting Quincy Billops, Jr., Bill Davis, and Rochester Neal, all alumni of Ollie and the Nightingales. After signing with an MGM subsidiary, Sounds of Memphis, they returned to the charts. Their biggest hit came with their 1973 cover of the 1962 Cooke song, “Having a Party.” With the black music scene then dominated by FUNK and the emerging DISCO sound, their style seemed dated.
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Born Irving Lee Dorsey in December 24, 1924, in New Orleans, he relocated as a 10-year-old to Portland, Oregon, with his family. He was known by the fighting name of Kid Chocolate before serving four years in the Navy. Returning to boxing after the service, he met renowned songwriter/producer Allen Toussaint at a party in New Orleans.
Price, Lloyd (b. 1933) singer, pianist, composer, and record company executive Born March 9, 1933, the Kenner, Louisiana, native started his own band as a 16-year-old. His early string of hits—most notably, the R&B chart-topper “Lawdy Miss Clawdy”—was interrupted by a U.S. Studios in Houston and Jackson, Mississippi, during the 1960s, achieving success with recordings such as Barbara Lynn’s “You’ll Lose a Good Thing,” Roy Head’s “Treat Her Right,” and B. J. Thomas’s “I’m So Lonesome I Could Cry.” He also formed several record labels to help disseminate his efforts, including Tribe, which helped the Sir Douglas Quintet break out with “She’s About a Mover” in 1965. Meaux’s career lost momentum following a conviction for violation of the Mann Act in 1967. His papers are housed in the Center for American History at the University of Texas, Austin.
ADC Band A solid meat-and-potatoes FUNK act modeled after the more grounded side of the music troupe headed by GEORGE CLINTON, the Detroit-based ADC Band enjoyed a measure of success at the peak of the DISCO era, ultimately suffering from no discernable identity of its own. The group consisted of core members Audrey Matthews and Artwell Matthews —children of Detroit music entrepreneur Johnnie Mae Matthews—complemented by trombonist Sam Burns, lead guitarist Curtin Hobson, keyboardist Mike Judkins, singer/percussionist James Maddox, and bassist Mark Patterson. Audrey and Artwell, together with Patterson, formed Black Nazty, which signed with the STAX imprint, Enterprise, in 1971. With little to show for their efforts with the label other than the near-miss 1974 single, “Talking to the People,” they moved to Mankind Records in 1976.
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A competing version of War, featuring four original members of the band, began recording as Guerra (“war” in Spanish) and, later, Same Ole Band, in the late 1990s. Taylor, Johnnie (b. 1938) singer One of the leading exponents of Memphis soul, Taylor was born May 5, 1938, in Crawfordsville, Arkansas. He first surfaced as a member of the gospel groups, the Highway QC’s and the Soul Stirrers, in the early 1950s.
After running out of steam by the mid1980s, she chose to concentrate on the production side of the business. LaBelle far outpaced her former cohorts with two dozen hit singles through the 1980s, including the R&B chart-toppers “If You Only Knew” and “On My Own” . Her best-selling album, When a Woman Loves , a collection of Diane Warren songs, revealed a new summit of artistic maturity, with LaBelle effectively negotiating a wide range of styles, including soul, HOUSE, and HIP-HOP. B. KING adopted a more soulful pop sound in order to achieve commercial success, Albert King was instrumental in keeping a traditional blues sound on the R&B charts. His raw, rootsy style—modeled on blues shouters like BIG JOE TURNER and Jimmy Witherspoon and bottleneck guitar specialists Elmore James and Robert Nighthawk—was a primary influence on a large number of late 20th-century blues musicians, including Robert Cray, Joe Louis Walker, and Donald Kinsey. The group switched to the Eskee label the following year, but—lacking a truly distinctive style or industry support—failed to repeat their earlier success.
However, the release failed to catch on stateside and the group disappeared from the public eye. Single to appeal to audiences across a wide range of music formats (it was a top five pop and R&B smash). When no other hits were forthcoming, however, the group disbanded in 1961. Tex also recorded and toured with fellow Atlantic Records artists SOLOMON BURKE, Arthur Conley, DON COVAY, and Ben E. King in the late 1960s as part of the Soul Clan.
